reflexivehorizons.com

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Reflexivehorizons.com receives any estimated 137 unique visitors and 13 unique page views per day. Revenue gained from these much visits may be $0 per day from various advertising sources. The estimated worth of site is $40. Similarweb global rank is 16,324,804. Maximum no. of users comes from .

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Reflexive Horizons | Film Philosophy and the Moving Image

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Keywords

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1	viewport	width=device-width

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Titles

H112
H21
H35
H40
H50
H60

No	Text
1	Reflexive horizons
2	The ‘seer’ in michelangelo antonioni’s l’eclisse (1962)
3	Selling anti-heroines: jenji kohan’s ‘weeds’ and ‘orange is the new black’
4	Cla***ifying genres, ıdentifying movements
5	A record of repeated gestures: leitmotifs in s***ndō kaneto’s films
6	Pokémon and a fandom of nostalgia
7	Anime and the internet: the impact of fansubbing
8	On space and seeing: cinema and the ınvention of modern life
9	Helianthophobia (three ımages of fear)
10	Senses of cinema, functions of film; what does film do?
11	Film and hyphology
12	Posts navigation

No	Text
1	Film philosophy and the moving ımage

No	Text
1	Recent posts
2	Recent comments
3	Archives
4	Categories
5	Meta

Text Styling

STRONG7
B11
EM52
I167
U0
CITE2

STRONG

No	Text
1	Positive Alienation
2	Deleuze’s ‘Cinema of the Seer’
3	Analysis
4	Works cited:
5	Jennifer Coates
6	How useful is film cla*ification to Film Studies? A Case Study of The “New Wave” in j*an and Britain
7	Works cited

No	Text
1	Breaking our hearts: Kohan’s soundscapes
2	Star persona as anti-affect
3	Banal magic-realism as character-audience bonding
4	Selling anti-heroines
5	People at work: a poetics of repet**ion
6	Farewell to a soldier: images of war
7	Flash-lights and witnessing: the ubiquity of media
8	Conclusion
9	Introduction: Pokémon and Intratextuality
10	1. Pokémon in the Past: What Once Was
11	1. Introduction

No	Text
1	L’avventura (3)
2	The Adventure (2)
3	La notte (2)
4	The Night,
5	L’eclisse (9)
6	The Eclipse,
7	Il deserto rosso
8	Red Desert
9	La Notte
10	Red Desert.
11	Umberto D (2)
12	Why is the Second World War taken as a break? The fact is that, in Europe, the post-war period has greatly increased the situations which we no longer know how to react to, in spaces which we no longer know how to describe. These were ‘any spaces whatever’, deserted but inhabited, disused warehouses, waste ground, cities in the course of demolition or reconstruction. And in these any-spaces-whatever a new race of characters was stirring, kind of mutant: they saw rather than acted, they were seers.
13	The Eclipse
14	The Night)
15	Il deserto rosso ( Red Desert)
16	Mic,
17	Harold and Kumar Go to White Castle
18	Weeds.
19	The Journal of Pop****r Culture
20	Mashable,
21	Orange Is the New Black
22	Mise au point
23	The Guardian
24	Vanity Fair
25	Heroines of Film and Television: Portrayals in Pop****r Culture.
26	Journal of j***anese Studies
27	There can always be a debate as to what const**uted a new cinema…I have started by treating under the rubric ‘new cinemas’ those films and film movements which had the label attached to them, formally or informally, at the time of their emergence, any time from the late 1950s onwards.
28	There was no such (“New Wave”), in the sense that there was no clearly defined conscious movement with set aims, technical or thematic… If the “New Wave” was a phrase dreamed up by journalists, it nevertheless broadly designates a sudden change in the cinema industry: a change in production methods, a change in subject matter, a change in moral att**udes perhaps; certainly a change in the style and appearance of the film.
29	is a truly wonderful film, in that it reminds us that the appeal of the film lies in the continuity of discontinuity. The beauty of the work is that the artist is not trying to earn his living as a film director. And perhaps that is why the filmmaker’s active involvement penetrates the work so splendidly.
30	Kinema junpō
31	A Critical Handbook of j***anese Film Directors: From the Silent Era to the Present Day
32	Nihon eigas***
33	s*ndō Kaneto no as*ato
34	s***ndō Kaneto no eiga chosakushū
35	Pokémon is the most successful computer game ever made, the top globally selling trading-card game of all time, one of the most successful children’s television programs ever broadcast, the top-grossing movie ever released in j***an, and among the five top earners in the history of films worldwide.
36	… the cinema formed a crucible for ideas, techniques, and representational strategies already present in other places…a specific culture of the cinematic emerged from – yet also ran parallel to – other transformations a***ociated with modernity in the late nineteenth and early twentieth centuries in such countries as France, Germany, England, Sweden and the United States.
37	With the beginning of modern times, religious belief was becoming more and more externalised as a lifeless convention; men of intellect were lifted by a new belief, their great belief in an autonomous philosophy and science.
38	First image: r
39	We

No	Text
1	Reflexive Horizons
2	Orange is the New Black (14)
3	Weeds (11)
4	Orange is the New Black: My Year in a Women’s Prison
5	Weeds, Orange is the New Black
6	Weeds’ (2)
7	Fried Green Tomatoes
8	Angels in America
9	West Wing
10	Argo
11	The Lucky One
12	House of Cards
13	True Detective
14	s*** and the City
15	Gilmore Girls
16	Pan’s Labyrinth
17	El laborinto de fauno
18	made
19	The Sopranos
20	Weeds,
21	Lost
22	Theory & Event
23	Reinventing Film Studies
24	. ‘
25	Weeds.
26	Substance Use & Misuse
27	Los Angeles Times.
28	Fourth Genre: Explorations in Nonfiction
29	Sat**ay Night and Sunday Morning (6)**
30	Cruel Story of Youth (5)
31	(Seishun Zankoku Monogatari
32	)
33	nūberu bāgu
34	Breathless (2)
35	À Bout de Souffle,
36	cinéma d’auteur
37	Cahiers du Cinéma
38	: ‘
39	A Town of Love and Hope (Ai to Kibō no Machi,
40	Sat****ay Night And Sunday Morning
41	We Are The Lambeth Boys
42	We Are The Lambeth Boys)
43	In The Realm of The Senses
44	Ai no Korīda,
45	Cahiers du Cinéma, (2)
46	nūberu bāgu)
47	Encyclopedia of Contemporary j***anese Culture,
48	Eros Plus Ma*acre: An Introduction to the j*anese “New Wave” Cinema,
49	Global Art Cinema: New Theories and Histories,
50	Karel Reisz,
51	Film Genre: Hollywood and Beyond,
52	Cinema Genre,
53	Making Waves: New Cinemas Of The 1960s,
54	.
55	Cinema, Censors*p and the State: The Writings of Nagisa Ōs*ma 1956-1978,
56	j***anese Cinema: Texts and Contexts,
57	The Technique of Film Editing (2nd Edition),
58	Youth Culture In Global Cinema,
59	Masumura Yasuzo and the Cinema of Social Consciousness,
60	The Art Cinema As A Mode Of Film Practice,
61	The Naked Island (4)
62	Lucky Dragon No. 5 (2)
63	Tree Without Leaves
64	The Naked
65	Island
66	mochi
67	Farmers Who Lost Their Land
68	A Postcard (3)
69	The Life of a Film Director
70	Edo p****
71	The Strange Story of Oyuki (3)
72	Mother
73	Children of Hiros*ma (2)**
74	Sakuratai 8.6.
75	The Story of Beloved Wife
76	Sincerity
77	Morning of the Osone Family
78	Until We Meet Again
79	Live Today, Die Tomorrow! (3)
80	Lucky Dragon
81	No. 5
82	Lucky Dragon No.5
83	A Strange Tale from the East of the River
84	Pokémon (16)
85	before
86	–
87	Poké-
88	anime
89	Red
90	Blue
91	Pokémon: The First Movie (2)
92	Myūtsū no Gyakushū,
93	Pokémon.
94	Poké
95	Chikara To Onna No Yononaka
96	otaku
97	Star Trek
98	epulsion
99	not looking
100	Hostel
101	oeuvre
102	auteur –
103	noir
104	zeitgeists
105	think too fast, while on our way somewhere, while walking or in the midst of all sorts of business, even when thinking of the most serious things; we need little preparation, not even much silence: it is as if we carried around in our heads an unstoppable machine that keeps working even under the most unfavourable circ***stances. Formerly, one could tell just by looking at a person that he wanted to think – it was probably a rare occurrence! – , that he now wanted to become wiser and was preparing himself for a thought: one would set one’s face as for prayer and stop walking; yes, one stood still for hours on the street once the thought ‘arrived’ – on one or two legs.

CITE

No	Text
1	’
2	2013

LINK ANALYSIS

Total Link Count: 101

Internal Link Count : 94

No	Text	Type
1	Skip to content	text
2	About Reflexive Horizons	text
3	Submissions	text
4	Contributors	text
5	The ‘Seer’ in Michelangelo Antonioni’s L’eclisse (1962)	text
6	December 8, 2014	text
7	Uncategorized	text
8	Jenny Coates	text
9	Selling anti-heroines: Jenji Kohan’s ‘Weeds’ and ‘Orange is the New Black’	text
10	June 26, 2014	text
11	Television	text
12	Jenny Coates	text
13	-	image
14	-	image
15	-	image
16	-	image
17	-	image
18	Cla***ifying Genres, Identifying Movements	text
19	May 29, 2014	text
20	Uncategorized	text
21	Jenny Coates	text
22	-	image
23	-	image
24	-	image
25	-	image
26	-	image
27	A Record of Repeated Gestures: Leitmotifs in s***ndō Kaneto’s films	text
28	April 30, 2014	text
29	Uncategorized	text
30	Jenny Coates	text
31	-	image
32	-	image
33	-	image
34	-	image
35	-	image
36	-	image
37	-	image
38	Pokémon and a Fandom of Nostalgia	text
39	March 24, 2014	text
40	Uncategorized	text
41	Jenny Coates	text
42	-	image
43	-	image
44	Continue reading Pokémon and a Fandom of Nostalgia →	text
45	Anime and the internet: the impact of fansubbing	text
46	February 18, 2014	text
47	Uncategorized	text
48	Jenny Coates	text
49	Continue reading Anime and the internet: the impact of fansubbing →	text
50	On Space and Seeing: Cinema and the Invention of Modern Life	text

External Link Count : 7

No	Text	Type
1	Theory & Event	text
2	12: 2, 2009	text
3	http://www.vulture.com/2013/07/orange-is-the-new-black-theme-song-regina-spE****r-debate.html	text
4	http://map.revues.org/927	text
5	http://www.thewire.com/entertainment/2014/06/the-best-musical-moments-from-this-season-of-orange-is-the-new-black/372491/	text
6	WordPress.org	text
7	Proudly powered by WordPress	text

Nofollow Link Count : 0

Title Link Count : 0

WEBSITE SERVER INFORMATION

Service Provider (ISP)
Cloudflare, Inc.
Hosted IP Address
104.28.6.22
Hosted Country
Canada
Host Region
Quebec , Montreal
Latitude and Longitude
45.5017 : -73.5673

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